Phil: Not all the work on this book has been carried out in cake shops. These are only suitable for talking about the work in hand, try to do some work and you’ll get a laptop full of crumbs. As someone who in a previous life used to work on a computer helpdesk, I know how disgusting that can be (Hint: Turn your keyboard upside down now and bang it’s bottom. See what fell out ? Horrible wasn’t it. Now imaging it’s someone else’s detritus…)
The subject of finding a suitable place to write has been discussed over at the Cakes, Tea and Dreams blog where everywhere from cafes to parks has been suggested. Sadly, those romantic aspirations are normally cast aside in favour of somewhere quiet with a table, which is why in an effort to find some conducive writing space we’ve been meeting up in Solihull Library. There’s a nice area for “Quiet Study” which has power points for laptops, desk space and none of that distracting Interweb.
A few months ago, we had finished our tea and cakes (excellent selection in the cafe downstairs by the way) and I grabbed the window seat because my eee PC has a cable long enough to reach half way around the building whereas the Nolan beast is a little stunted in this respect and the sockets are miles away. More important than electricity, I like to be able to gaze thoughtfully out at the passing world while working as I find it helps me think though problems. Or at least that’s what I tell my boss anyway. Outside, Christmas was getting into full swing and Santa was being followed by one of his elves on a fag break. In most versions of festive tales Santa’s helpers are supposed to be a bit on the short side but, unless there were two in the single costume standing on each others shoulders, then 6ft elves are perfectly acceptable nowadays. Presumably this is what the press calls “Polical Correctness gone mad”. At least he would be able to keep the kids under control I suppose.
When I wasn’t watching festive fun, Solihull Council had provided some statuary in the corner. Those enjoying some quiet study could look on, and presumably be inspired by, a 3ft high marble girl. “Lovely”, you are thinking except that she is cradling a dead blackbird in her skirts. Now, I don’t know a lot about art but can someone explain to me what makes you wake up in the morning, look at a block of stone and decide to carve a small child. Then to make it extra special, include a dead bird in the composition ?