Phil: Three things can be guaranteed to put me off a book:
- It’s set in wartime, or involves a war.
- The Daily Mail likes it
- Someone has made it into a feature film and this is on the cover
A fourth one is that the book is described as “An International Bestseller” – I’ve been caught out before by that one. Just because lots of people bought something doesn’t mean I’ll enjoy it. I’m looking at you Girl on the train.
So I approached TGLPPPS not really expecting to get very far. To be honest, if I’d given up a couple of chapters in, that would have been par for the course.
Faced with a long train ride, I stuck the modest-sized book in my bag. One return from Leamington to Brighton later, I’d read the whole thing and thoroughly enjoyed it.
The book centres on author Juliet Ashton, a wartime “gel” who wrote a funny column in the press and a somewhat more serious book about the Bronte sisters. The war is just over and she is suffering from writer’s block but out of the blue, someone from Guernsey writes to her and a correspondence ensues.
The book is written as a series of letters and this propels the story along with a bit of pace. The reader has to suspend disbelief a little at the shortness and speed of delivery of some, but we let it go for the sake of the plotline.
In many ways, this is chick-lit. There is a love story. We can spot the ending a mile off, but this doesn’t matter.
Subtley slid into all the fluffy stuff is a description of life in the only part of the British Isles to be invaded during the war and have to exist under Nazi occupation. The history has been well researched and there are a few gruesome bits along with allusions to worse. This matters as without it, the story could easily have been some bumbling locals and a smart London girl.
Weirdly, I also want to see the film. I really don’t see how you adapt a book made of letters – but I’m keen to know.