Step away from the epic – think local

Phil: On my recent sojourn to the Isle of Man, my car radio was tuned in to Manx FM and my first purchase was a pile of local newspapers.

I like a world where all the stories are local. For example, while the national news was banging on about Brexit, the lead story on the local radio was about a children’s play area whose opening had been delayed. Another big story is a flume at a local swimming pool that won’t fit together.

You might laugh, but this stuff matters. Big politics is very remote to most of us. For the most part, we don’t really see Westminster having a direct effect on our lives.

The local play area being shut – well what do you do with the kids during the summer holidays? The same question you can ask about the flume.

Now translate this to your reading.

I bet most of your favourite books centre on one or two characters lives. Plot twists are personal, because that’s what we relate to as humans.

OK, sci-fi often grapples with galaxy-wide stories spanning aeons, but those do tend to be the preserve of a small number of very enthusiastic readers. Good luck to them, but I find that stuff achingly dull.

No, the essence of good writing seems to be inventing a small world and keeping your plot within it. If you need further proof, look at the tiny areas covered by popular soap operas, a few streets, a square, or memorably, a motel. Look closely at these little worlds and all human life can be found.

As it is. I bet the delayed flume could form the basis for one of our books…

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