Category Archives: Publishing

Do TV adaptions kill book sales?

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Phil: As I watched the final episode of Strike – The Cuckoo’s Calling, I wondered about the sales of the book it’s based on.

Obviously, JK Rowling (writing as Robery Galbraith) isn’t worried about the royalties, but I’d certainly be interested to see how the sales fare. Surely, most of the joy of any whodunnit is trying to work out who the criminal is, and once you’ve seen it on telly then the secret is blown. OK, you might still enjoy the read but part of your brain is always going to be shouting, “The butler did it!” as the characters bumble arnound trying to solve the crime.

Or does knowledge of the outcome allow you to get on and enjoy the story?

(Note to broadcasters – This isn’t an issue for Kate vs the Dirtboffins, there’s loads more to the book than the whosdoingit aspect, which is why any adaption will be so succesful the other channels will just switch off to save electricity. Please start the bidding war for rights now.)

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Navigating your way to publishing success

Phil: While might be blisteringly succesful with our writing, I banked another £1.56 from sales earlier, we are both still interested in the whole publishing world. With this in mind, I attended a seminar at Stratford Lit Fest last week looking at the continuing changes in the industry. An interesting hour, which provided some welcome pointers.

  • Series sell better than 1 off novels. Readers prefer to invest in something that isn’t a one-off story.
  • Sales don’t really kick in until book 3 or 4. This seems pretty consistent – it worked for Harry Potter after all.
  • Differential pricing works. Price book 1 cheap to get people hooked and then offer the follow-ups at full price
  • Publishers are using e-books as a slush pile and picking up the best-selling ones. Traditional submissions still exist but more and more they are letting sales on-line handle some of the filtering process for them. Why read a thousand poor manuscripts when you can just cherry pick something other people already like and has a proven track record of sales?
  • The biggest trend is authors selling direct to readers. 9 out of 10 members of the Independent Publishers Group are doing this at events.
  • To sell non-fiction, try relevant special interest groups or sports bodies. They may be willing to offer grants to help pay for the work. At the least, they will offer a route to a potential audience.
  • Authors can go to the London Book Fair in April, it’s not trade only any more and there are seminars worth attending.
  • Quality matters. Do not launch without a professional edit. Likewise, get someone who knows the market to design the cover and don’t get upset if they reject your ideas on this.

Of the 40 people in the room, 1 had traditionally published and 2, including. me had self published. Only half the room seemed to be working on a book at the moment which makes me wonder why they had given up a Wednesday evening to find out about publishing.

Anyway, from this, I took that we are doing the right thing. Once Kate vs the Navy launches we are another book towards big sales. The point about the covers was well made too, long-term readers will know that we changed ours at the suggestion of our publisher to something more market-friendly. As a bonus, it’s more bloke friendly too, I’ve been reading something with an overly chick-lit cover recently and couldn’t bring myself to finish it on a train ride…

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What’s your road to publication?

Phil: It’s Stratford Literature Festival time again. Sadly, we aren’t on the bill this year, but there’s still many sessions worth tootling along for.

“My Road to Publication” featured three debut authors talking about their first books with Meg Sanders, how they came about and what happened next. Ironically, thanks to refurbishment of the local library forcing this to decamp to the arts venue, the session took place in an adjacent local theatre (this is Stratford-upon-Avon, there’s a theatre on every corner daahhhling) which I’d never been in before. That made it even more interesting but I have to apologise for the lighting confusing my phone’s camera.

Anyway, the author were, from left to right, Emma Slade, Ruth Hogan and Harriet Cummings.

Ruth and Harriet were both conventional authors in that they have written fiction and writing has become their livelihood, albeit with some freelance copyrighting thrown in for Harriet.  Her novel, We all begin as strangers is inspired by happenings in her parents village. It’s actually her second book, the first absorbed a year an a half before being abandoned. The current book was written in a 3 month session where she devoted her time exclusively to the task.

Of the three, she is the only one with anything approaching formal training with a Faber Academy course. Despite claiming it didn’t provide any real technical knowledge, the course gave her the confidence to write a novel and more importantly, an agent as she had to take part in a mass pitching session. Fellow attendees form a feedback group for each other to provide help and support.

Ruth was an avid reader as a child and had always wanted to be a writer but kept finding excuses not to start, until a car accident in her 30s left her working part-time and with the time and no more excuses. Her writing method is interesting – a chapter at a time laid down in longhand with a fountain pen. This is then typed up on the computer and edited at the same time. Then the pages are printed and edited again. This contrasts with Harriet who writes the entire first draft before doing any editing. The idea for The Keeper of Lost Things possibly relates to a long forgotten, until a “What was your favourite book as a child?” question unearthed it, short story of a child who finds a teddy bear in a puddle and manages to restore it to its owner.

They say all books should start with a bit of a bang and that certainly applies to Emma’s. Her memoir starts with her being held hostage.

This is the least conventional story of all. Emma was a high-flying investment banker but when she saw a photo of her kidnapper after her release, the process of changing her life to becoming a Buddhist nun started. The book is a fund-raiser for her charity Opening Your Heart to Bhutan. written as a respite from her work towards becoming a nun, including creating several thousand hok mandana’s, unlike the others, this is very much a one-off. Buddhism teaches you to either be working for the community or be in retreat from it. Eventually she plans to go into full retreat, but at the moment it’s time to raise funds for a minibus.

All this is of course at odds with one of the first things all three were instructed to do by their publishers – get on social media. Ruth picked on Twitter and Instagram. Harriet is on Twitter too as is Emma. In the modern world, the author can’t sit back and do nothing between manuscripts – writing is just a small part of the job!

 

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I bet JK Rowling doesn’t buy her own books…

amazonpackPhil: A few days, the postman delivered an exciting parcel to chez Parker. Inside was a rather excellent book ordered two days before.

The same day, my mother was dispatched to Waterstones to pick up a copy ordered a couple of weeks earlier.

“Why are you buying copies of your own book?” I hear you cry. “Is this an attempt to force it into the best seller charts?”

Not a bit of it. That would be cheating, underhand and also far too expensive.

No, all I wanted to do was make sure that the process of ordering physical copies actually worked. That and try to push the book into Amazon’s “People who bought this, also bought this…” section.

Anyway – buying from Amazon or Waterstones works. So what’s stopping you?

P.S. Signed copies also available. E-mail me.

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Letting the book fly brings success

bookwithwingsPhil: Last week I gained a new Twitter follower. Pleasant enough, but there was a surprise attached.

My new friends last tweet was: “A very funny read: an horticulture agency, including plant pathology and redundancies!” along with a link to our book on Amazon.

I recognised the name as one of the scientists I’d worked with over 16 years ago in my days on the veg research IT helpdesk. Joana wasn’t one of our regular visitors (the one you remember with a shudder) so how had she found our book?

It turns out that it was all down to Leamington Spa railway station.

Platform 3 is home to a bookcase in the waiting room. People leave books and collect others, all free of charge. A few weeks ago, I’d dropped off a copy of Kate vs the Dirtboffins, complete with new cover in there.  When I checked a couple of weeks later, it had gone and I wondered if the person who’d got it was enjoying the read.

It seems she was.

Not only that, but she passed it on to her friend Joana who suspected that HRI where she works and HRA in the book might be related!

The book has continued on its journey and a signed copy has been bought and dispatched. Giving away copies of your book pays off it seems. Best of all, I keep hearing, “We can’t wait to see what happens next.”

So Nolan, we better finish book 2!

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Kate vs the Dirtboffins paperback – Out Today!

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A big day today – Kate vs the Dirtboffins, the funniest novel you will read this year – IS OUT IN PAPERBACK!

Yes, you can head on down to your local Waterstones and order a real, physical copy for £7.99.

Check it out on the Waterstones website.

Or, if you are reading this at your desk and it’s wet outside, go to Amazon.

Check it out on the Amazon website.

And if you want the cheaper option, they have the Kindle version – and you can read our reviews!

Or if you’d like a signed copy, drop me an e-mail and I’ll sort it out post free.

That’s Christmas sorted then!

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Kate vs the Dirtboffins – now on paper!

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Phil: Exciting times for Team NolanParker – the paperback version of our novel has arrived!

While we might be very pleased with the e-book version, and it’s on over 100 reading devices now, for some jobs, only paper will do.

Let’s face it, we all like to hold a novel in our hands and if that novel is one you have written then it’s even more exciting.

So, working with Clink Street Publishing, we’ve created a real book. It’s has out new cover and inside you’ll find professionally laid out pages – the difference between these and my efforts is considerable. Not that mine were terrible, but there is an indefinable “something” that employing a professional brings to the job that makes it look and feel like a “proper” book.

The good news is that in a few weeks, the book will be orderable (ISBN 978-1-911110-42-2) from Waterstones and other high street book shops. We’ll also be happy to sell signed copies direct from this website as well for the same price. I’ll fill you in on this later but you need to start saving a tiny £7.99 for this…

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