Tag Archives: book

Finding my funny bone

Phil: It’s very strange at the moment isn’t it?

Like most people, my mood has been very up and down recently. Every so often a wave of “the fear” comes over me and I’m pretty much useless.

(I will be ignoring any comments Nolan)

I’m worried about people I know becoming ill, or even worse. I worry that I might get ill. I worry about my job. I worry about the future – will there be any sort of economy left after all this? I worry how long it will be before things get back to something approaching normality. I worry that they might not.

Add into this worries about the day to day essentials of life such as buying milk and teabags and it’s not surprising that I’ve been struggling to find the enthusiasm to write anything.

Humans are adaptable though. The longer a situation persists, the more we find ways to work with it and make the best of things.

Panic buying in shops for example. The supermarkets have started to adapt. Shorter hours, desperately recruiting more staff to stack the shelves and deliver goods have removed the “all the shops are empty” story that most of the media have been running with. Heck, I even bought a pack of the rare toilet roll a couple of days ago, and I could have done the same yesterday.

(Yes, I know this makes me an ace hunter-gatherer and all the women looking at this are wondering if they should ignore my gormless photo at the top of this blog, instead forming an orderly queue…)

All being well, we’ll one day look back on these times with nostalgia and remember what we were doing during the great bog roll drought of 2020. I’m sure some rose-tinted spectacles will be donned by some.

However, I’m now finding it easier to write. I still worry, but perhaps not in such a paralysing way. Not so often anyway. The optimist in me looks for the promising news stories the media do their level best to hide in the scaremongering. I’m starting to see some chance to get back to writing stuff in the book, and that stuff being funny.

Fingers are crossed, but legs don’t need to be anymore.

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Middle England – These aren’t my people

A comedy for our times – The Guardian

Phil: I’m middle-class. I work in magazine publishing. The only manual labour I do involves making model trains. I have been down coal mines, but only at museums. Years ago, I could even follow the plot of The Archers.

It seems I’m not the right sort of middle class though.

Proper middle-class people earn mahoosive amounts of money doing jobs even more pointless than mine. They then spend their lives spending money without any visible means of financial support. Ideally, they will have made a killing in the London property market, sold up and bought a rather nice converted mill to live in somewhere less fashionable. They drink posh wine and eat the sort of nibbles that I’ve read about but would probably ignore in preference to sausage on a stick.

I really wanted to like Middle England. It’s set in the Midlands for a start. There are mentions of places I know like central Birmingham (the library is being built) and Solihull.

Sadly, the characters might occupy the same geography as me, but they live in another world.

Look, our book is set partly in central Solihull. All the characters have jobs. Jobs they do to earn money. We set it there because we didn’t want to set it in London and Solihull is a nice place. Nice enough for Kate anyway. She doesn’t want to jump into the pool that is London. Better be a big fish in a smaller pond than just another in the capital’s shoal. Besides, when she needs to go to the big city, there’s a perfectly good train service with at-seat coffee and WiFi, so she can have the best of both worlds.

Maybe the author lives in a rarified world of London journalists and politicians and so struggles to connect with the rest of us plebs. I’ve long been a fan of the idea that our capital needs to be hived off as a city-state, leaving the rest of us to do things our own way. It’s not that I don’t like London, far from it. It’s just that I know it’s very different from elsewhere, something the inhabitants don’t grasp much of the time.

Anyway, Middle England is supposed to be a satire on the newly formed coalition government (something we also satirise) but it’s not very subtle. A government adviser pops up every so often as a caricature who keeps changing his story without bothering about facts or the truth. I should be right in tune with all of this, yet I didn’t get it.

Talking of story – I couldn’t actually find a plot. There are lots of words, the pages seem slightly more densely printed than normal, but nothing actually happens. I didn’t get the feeling that we were on a journey anywhere. Mind you, I gave up 1/3rd of the way through. Even reading on a train, normally something that gets me into any book didn’t help. All I was left with were characters I didn’t care about.

A pertinent, entertaining study of a nation in crisis – Financial Times

Middle England is the novel about Brexit we need – Daily Telegraph

Insufferably smug – Phil Parker

 

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World Book Day … or is it?

index

Candice: I’ve been derelict in my duty this week.  I promised to write a blog about World Book Day and then failed miserably to do it for the day or the day after.

Phil was the instigator of the idea, obviously thinking that there would be loads of child outfit picking fodder in the concept.  However, due to the fact my daughter’s school just asks you to bring a book along I get out of all that faff.  To let you know this year’s choice was ‘The Little Mermaid’ – as it has been for about the last four years. #easy

I don’t know if it was the topic or the time this week (I’ve been busy and quite tired, I’ve not made it through any 9pm programme) but I just wasn’t feeling it.  Coronavirus has also taken up my thinking time, to holiday or not to holiday.

He’s even politely hassled me about it.  And I’ve still failed miserably.

But to get my own back I have managed to top up Book 3 with an extra 1000 words.  So nur to you Phil.  I suppose that was where my inspiration lay and last night at 10pm I was finishing off something from earlier in the week in the book, not writing this blog.

I have to say we’ve both struggled to get into Book 3. That’s not to say it’s not a good book, when I opened it up the other day I was again excited by the story, but we’ve got some good set pieces we just don’t know how to bring them together.

However, a break, and avoiding writing about World Book Day seems to have done the trick and I’m off to add a few hundred more this afternoon.

Inspiration = Found

 

 

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Killer blurb

When Korede’s dinner is interrupted one night by a distress call from her sister, Ayoola, she knows what’s expected of her: bleach, rubber gloves, nerves of steel and a strong stomach. This’ll be the third boyfriend Ayoola’s dispatched in, quote, self-defence and the third mess that her lethal little sibling has left Korede to clear away. She should probably go to the police for the good of the menfolk of Nigeria, but she loves her sister and, as they say, family always comes first. Until, that is, Ayoola starts dating the doctor where Korede works as a nurse. Korede’s long been in love with him, and isn’t prepared to see him wind up with a knife in his back: but to save one would mean sacrificing the other..

Phil: When I read this on the back of My Sister the Serial Killer by Oyinkan Braithwaite while browsing the new books shelf of my local library, it did its job, grabbing me enough I wanted to read the story. With three books in my hand, I left it but came back a couple of weeks later and searched for it on the shelves.

Set in Lagos, it tells the story of Korede who keeps having the clean up when her sister murders her latest boyfriend.

As a nurse with a cleaning compulsion, she’s ideally placed to help, but when the sister hooks up with a doctor Korede facies herself, things get complicated. She can’t tell anyone about this except a patient in a coma.

Through the story, we learn some backs-story about the girls’ abusive father and his death (not their fault, but they were present) and this might give an insight into Ayoola’s behaviour. That, and she’s a little princess who’s never heard the word “no”.

The book has won awards, but I wonder if this is down to a metropolitan art crowd being excited by a book set firmly in Nigeria and making good use of the rules and traditions of that country. You are immersed in a way no non-native could ever do and some of the characters’ behaviours are appalling by Western standards. If you think the British class system is bad, the Nigerian one is far worse. It troubled me that the “house girl” never seems to warrant a name, nor any consideration for her constant servitude by the main characters for example.

I’m not sure the story every really gets going despite two deaths and a third close-call. The coma patient wakes up and remembers some of the stuff he has been told, but nothing happens with this.

The premise is really strong, possibly stronger than the book itself. Having said that, the setting fascinated me and I’m tempted to look up many of the foods mentioned. Maybe this is the best part – I was really taken to a new world, and that’s what reading should be about.

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The value of an editor

Phil: I’m still working on the edits I mentioned last week.

Most evenings, after watching Space 1999, I settle down for an hour of approving, or not, corrections to our text.

The vast majority are punctuation. Spotting the red edit text and then zapping it with a right click of my mouse is an interesting game which demands pinpoint accuracy. Watching the little bars on the right-hand side getting smaller and then vanishing is satisfying. Once they are gone, I’ve got all the changes.

There’s a bit of text shuffling and tightening too. I don’t always agree to these changes, there are a (very) few occasions when I prefer our style and since it’s subjective, I let us win. Mostly, to be fair, the excellent Catherine is right and the story flows better for her efforts.

We’ve a few plot points to deal with, and I’ve sorted out a slot in the busy Nolan festive diary for us to go through these. I think she’s doing overtime in Santa’s workshop or something as shes very busy.

A few times though, I’ve read the text and thought, “How the heck did we let that one get through?” or even “How the heck did we write that in the first place?” Frustrating, but now these boo-boos are getting sorted.

The whole process is a bit like having your work marked by a teacher. I suspect everyone hopes their text is perfect, and no-ones ever is, but I can’t help feeling that “Must try harder” could be written at the bottom of this. I’m sure we were slicker when Kate vs the Navy was proofed.

What I do see is how all the work is making a better book. When you start to write, people go on about the importance of an editor, but it’s a bill no-one wants to think about if they are honest. The more I look at the plot tweaks and inconsistences picked up, I know we’ve spent our money well. Yes, we should have got most of them ourselves, and many people won’t spot the changes, but every one makes our story a more enjoyable read. Talking of which, I end up reading it too and it’s still a good story.

Anyway, I’ll continue plugging away. I’ve another part of the routine – claiming the days chocolate from my advent calendar only when I’ve done my homework. Everyone needs some motivation!

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Too Many Ideas

IDEA

Candice:  I think Phil and I would both agree that we are struggling at the moment.  We’ve had pockets this year where we’ve had time on our hands (me more than him for a change) to really get on with some writing stuff.

We’ve chatted, sat in Libraries and written and I’ve tried to get Instagram off the ground, again.  But it’s all come to not a lot at the moment as he has been overtaken by train shows and me a full-time job (again).

Where do we go from here?  At the moment I feel like we keep creating promises we can’t keep.  Part of the problem is the only people who we are making the promises to are each other, and if we don’t prod each other than everything goes to pot.  We’ve always said that the writing partnership drives us in a way that writing on our own just wouldn’t. But currently, even that extra support is failing.

I’ve been through beating myself up for it.  I’m still the person in the office that people say – ‘You do that and that and that…!’.  Well yes, but sometimes I’ve over-egged my pudding, overstuffed my diary and actually there is no time for me!

I’ve been in trying to get to grips with my new commute and how that works with childcare and exercise.  Luckily, though my current workplace has got rid of the swimming pool (sad face) I can still go for a 5km run in my lunch break once a week which helps the mental and physical health.  However, with short, dark days, getting up and going home is hard work, especially when it takes you over an hour to do the commute. Writing time just doesn’t feature.

Phil’s been busy doing shows and writing articles, his workload never ends either, though it doesn’t involve those trips to the gym which are important to me!

We are meeting on Friday and I’ve decided to put a stake in the sand and say ‘What are we doing?”  We haven’t put a new book out in years and we’ve also been experimenting with mentoring.  We need to pick one idea and stick with it, as we just don’t have the time to do it all and instead we are doing things piecemeal and not doing any of them well.

I’ve plumped for finishing Book 3.  There is some cracking stuff in there and I want to get it out there.  Phil – well I don’t know his thoughts.  If you hear about fights in Birmingham on Friday it might be us.

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Demon Seed – so good he wrote it twice?

Phil: An odd one this. Heading into my local library in search of something to read, I spotted a book called Demon Seed on the shelf.

I knew of the film and decided to give the original version a go.

Or did I?

In the first chapter, there is mention of both the Internet and the World Wide Web. “Hold on”, I think, “I’m pretty sure the film was made back in the 1970s. How come we have talk of things not developed until the late 1990s?”

The plot revolves around a sentient computer program, so some sort of moving around the world’s networks is fine, but I’m pretty sure that neither term was in common us back then.

To Wikipedia, I head and I’m right about the film, it was released in 1977. Assuming the book predates the film then how does the author know about the web?

Well, a little more digging and it turns out that Dean Koontz has written the book twice. Once in 1973 and again in 1997.

All is explained at the end of the novel. Koontz simply says he didn’t think the original was very good so decided to have another crack at it. This allowed him to add in all those future references to computing technology.

I wonder how he pitched it to the publisher though. “You remember that great book I wrote years ago? I’d like to do it again and see if people buy another copy to find out what I’ve changed.”

Is it a brave move to decided that the story you are best known for isn’t good enough, or a cynical one to cash in?

I suppose I ought to say whether I enjoyed the book. Not much. All the talk of the computer controlling Susan, the main character, made me very uncomfortable. There’s also a fairly graphic murder of an innocent man as well as passing mention of several others. Not my thing at all, but then we’ve mentioned I’m a bit of a wuss about these things in the past.

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