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Why do authors need an editor?

Phil: A few weeks ago, I enjoyed some delicious home-made custard creams while listening to author Mike Gayle and his editor Nick Sayers courtesy of Kenilworth books.

With 15 books to his name, it was interesting to hear Mike explain what working with an editor entails, and why it is important. Despite being an editor myself, I’d never really understood the role played by someone with the same job title in fiction.

It turns out that the editor plays a big role in shaping and sharpening up the book. They read through and provide the fresh pair of eyes unavailable to a writer too close, and to invested in, the story.

The editor continually challenges the author. Do the characters work? Are there too many of them? Does the plot flag partway through? Does the thing even make sense?

All this after the publisher has shown enough interest in the manuscript to assign someone’s time to work on it.

Mike had worked with several editors in the past and credited all of them with improving his work. I can see how this relationship is important but also how easily it could break down if the suggestions were at odds with the original creative vision.

There’s a special skill in being the editor and managing a potentially fractious author. I did take the chance to ask exactly how things worked out if they disagreed. Sadly, neither would admit to an all-out fight (they both came across as really nice people) but I can imagine some egos getting in the way.  It must be especially frustrating being an editor if the writer keeps ignoring the advice offered.

For team NolanParker, I think we provide at least some of the editor services to each other. You’ll have read in past blog posts how we’ve disagreed with each other over plot points. It’s not always an easy situation, but we respect each other’s opinion enough to be able to get over this each time. After all, we both want our books to be the best they can.

 

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In search of Fillern Holm.

Phil: If you’ve read Kate vs the Navy, you’ll know that the action takes place on an island called Fillern Holm, which can be found in the Bristol Channel, not far from Weston-Super-Mare.

It is of course, completely fictitious. Loosely based on Cockatoo Island in the far more exotic Sydney harbour, we made it up as there isn’t really anywhere suitable to hide an old navy base in the UK, and if we can’t go to Australia, then neither can the characters in our books!

Anyway, I was down in Weston a few days ago and found myself staring out to sea, or at least where the sea should be. On the horizon was a lump, dimly visible through the mist.

Could this be Fillern Holm? Does it exist after all?

Sadly not, it’s actually Steep Holm, according to the map. An uninhabited lump of rock. It was fortified in the 1860s though, and these defences were updated in WWII including the building of a barracks. All this means that it could just be a suitable stand-in for Fillern Holm in any future film or TV adaptions.

Talking of settings for drama, perhaps there is another candidate at Weston. Just off the coast is Birnbeck Pier.

More dereliction, but this time with some buildings. No missing battleships though. Perhaps those will just have to stay in our imagination.

Buy Kate vs the Navy for only 99p from Amazon.

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Is it June already?

Phil: How did it become June already?

I’m sure someone has nicked about three months of this year because I’m sure I missed them somewhere along the line…

Looking at the files for Book 3, I see that we’ve not added anything to it since April. That’s pretty poor. Admittedly, we have ideas on a side project that has taken up quite a bit of brain space, but sadly, real life has taken over for both of us and priorities change.

Are we beating ourselves up about it? No.

For a start there is cake. Yummy cake. We still meet up planning to think book and end up chatting instead.

Then we’ve come to the conclusion that writing should be fun. Proper writers describe it as a dreadfully painful exercise, but you know what, that sounds rubbish. Hours of moaning and agony to produce a “worthy” book that people might aspire to read, but never actually bother.

No – the books are to be a dream. We will make progress, but generally when we are enjoying it. This means getting our heads around the idea that we aren’t likely to become best-selling authors, but as the chances of this are very slim unless one of us becomes famous, we might as well accept it and just enjoy the ride. More than can be said of me when I ended up on a child’s spinning teacup roundabout half an hour after eating one of the slices in the photo.

Anyway, I suppose it’s also worth looking back to see how my new years’ resolutions are going.

Do less work – Well, I am getting more efficient at doing work. I’ve figured out that I’m more productive on the computer in the afternoon and evenings, so the non-typing parts of my work are fitted into the morning, something that seems to be working well.

Promise less – Still rubbish at this.

Go out for more walks – This is a bit hit and miss. Some days I hit my “Move Minutes” target on an app on my phone, sometimes not.

Read more books – Big tick. I’ve read a lot of books, but still not fast enough to keep up with the numbers heading my way.

Read fewer magazines, or at least only those that I need to – I’ve stopped taking a few periodicals and buying less of others. I think this is working.

Sleep more – Can’t say this is much different. Maybe a little better, but sometimes much worse.

Basically, 5/10, must try harder all round.

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Be brave at work and take a break

Phil: A couple of weeks ago, Candice wrote about being brave and how her taking a big leap eventually lead to the two of us writing books.

She wasn’t alone in taking a leap like this. Back in 2008, I discovered that I was to gain a new layer of management above me. Quite why this was was a bit of a mystery as the role seemed to be covered by someone higher up the food chain, but I applied for the job and as expected, failed to land it.

In the run-up, I had decided that if I didn’t get it, I wasn’t going to hang around. To be honest, I knew the guy running our department didn’t like me much and I wasn’t doing a very good job at handling this. There is a skill to managing your boss and it’s one I’m pretty hopeless at. My tongue is freer of bite marks than it should be!

Anyway, I decided that I would blow my savings on a “gap year”. We’ve mentioned in the past that I’m rubbish at taking holiday so I felt I was owed some big time and if I wasn’t at work, I felt I could take it. People said I was being brave taking a leap into the unknown, but I had a little confidence, although not as much as I claimed.

Sadly, 8 weeks after I left, the economy fell apart. I decided to bin the holiday idea and try to get back into work.

Now, unlike my friend, I don’t just walk into jobs. I hate the application process as much as I hated revising for exams – presumably why I have rubbish qualifications and once managed to apply for 60 jobs in a year and only get 3 interviews. I did manage to secure a couple of contracts looking after websites and it was at one of these that I met La Nolan. I remember starting and hearing about the mystical “Candice” for a week before she showed up after a holiday. Quite how we ended up chatting I don’t remember, but I’m very glad we did. So, our writing partnership is due to both of us being brave in our careers.

It’s Metal Health Awareness Week at the moment and the news is full of people telling others that they need to talk. With so much of our lives tied up with work, it’s here where the biggest problems can be found. I “escaped” a situation I felt was toxic. It wasn’t easy, and had my personal circumstances been different, might have been impossible. As it was it worked out OK.

Since then, I’ve had to jump again – although this time it was easier. Having a “manager” screaming and swearing at you because she’s been doing something she shouldn’t have been and you’ve risked exposing it makes the jump out of a part-time job a no-brainer. I can’t say there isn’t another leap in my future either.

Those suggesting ways people can help themselves in this situation will bang on about “mindfulness” – basically taking yourself out of your metal situation for a while to allow your brain to relax. This usually involves some chanting or meditation. I prefer to lose myself in my imagination.

Read a book that you enjoy – it doesn’t have to be good, just a page-turner.

Write a book. This doesn’t have to be good either, just somewhere for you to lose yourself devising a story. Both Candice and I have found this useful. Heck, we don’t even have to actually write, just the planning process where we bash ideas around is a joy and definitely a break from “proper” work.

Think of it as mentally freewheeling on a bicycle down a hill compared to puffing along up a hill. The wind is in your hair and you just enjoy the ride for a few precious minutes, recovering your energy for the next stuggle.

 

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Why can’t writing be fun?

Phil: For the last few weeks, the Nolan has enjoyed a break from the daily grind which has seen us meeting up on a weekly basis for chatting and in theory, writing.

Truth is, there has been a lot more talking than typing. We’ve done a reasonable amount of planning but progress on Book 3 has been limited.

Both of us have had things other than writing on our minds and since we are mates, we talk about them. Afterwards, we both feel better, not just through the effects of tea and cake either!

I suppose we should feel guilty about this, and we do. But not much.

Writing is great. We’re really proud of the books produced so far, and looking forward to seeing how the next ones work out. But it’s not everything to either of us. We have lives as well.

Does this make us bad?

Some authors take great pride in hitting daily word targets. Writing has, we are told, got to be a painful process. Only by travelling through the fire, can you forge a book worthy of the name.

Well, sorry, but no.

You can’t write light chick-lit fiction if your day is spent agonising over every word. Our style is humorous and if you analyse every single line to death then you’ll suck all the fun out of it. Worse, you’ll create something so convoluted that any reader will need another book just to explain the one they are reading. We don’t want anyone opening ours to have to suffer. I know that “proper” literature is all about this, but we’ll steer clear of that thank you very much. Editing and polishing is one thing, agonising is another and enduring it doesn’t make you a better person.

Taking time to step back and look at what we are doing, we’ve worked out that for us, the journey is part of the fun. Yes, we’d love people to read an enjoy what we produce, but why shouldn’t it simply be a pleasurable activity?

Progress would be quicker if we knuckled down and got on with things, but maybe this isn’t everything. Perhaps the journey should be as pleasurable as the destination.

As it is, the weekly meet-ups are over. Candice has a posh new job and my work is going through one of its periodic explosions of demand. For the minute, tea, cake and finishing the book will have to be a dream, but, as Captain Sensible once said, “You’ve got to have a dream. If you don’t have a dream, how you going to have a dream come true?”

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Going where no man has gone before

You were recently selected as a potential candidate for P.O.W.E.R. (Professional Organization of Women of Excellence Recognized).
Our organization provides a powerful network of women who will mentor, inspire and empower each other to be the best they can be. Women understand the need to connect with other like-minded professionals and the importance of added exposure.

Phil: I’ve been receiving this e-mail twice a week for at least a month. I’m not sure what their vetting procedure is, but I’m thinking that it falls at the first hurdle. Unless you consider the first hurdle to be, “Has an e-mail address” rather than gender.

While I’m happy to mentor, inspire and empower people, although “each other” sounds a bit like a cult, or an orgy, I’m pretty sure I wouldn’t be allowed in the door. A quick look at the website suggests that door would be in America anyway. The woman fronting the video on the home page looks a bit scary too.

While they have been busy spamming me, I’ve actually had women’s groups on my mind. At our last planning session, we decided it would be a good idea to send Kate, or lead character, to a local women’s networking group. It brings her into contact with people who can be both useful and entertainingly anoying. She has an ulterior motive, but the result isn’t quite the one she hoped for – but ultimately IS good for her. I’ll say no more or SPOILERS!

It’s a good example of how Team NolanParker works. After chatting with Candice, who has been to groups like this, I wrote the first few pages of story. They were OK, but I wasn’t really feeling it.

My words went over to the Noaln and a couple of days later came back much expanded. And improved.

I’d laid the foundations, which freed her to add all the good bits. Maybe the words needed a woman’s touch, or maybe I provided enough inspiration to get her creative juices flowing. Whatever, it worked.

I have been the only man working in an office-full of women, but I am not (despite what the P.O.W.E.R. network thinks) a woman and can’t always get into the right mind. That’s why writing as a pair works so well, I don’t know how anyone does it on their own.

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What does a being a writer actually mean?

Phil: A few weekends ago, Candice and I attended the Writing West Midlands  National Writers Conference – get us going big-time!

There’s lots to blog about, but the event started with a keynote speech from Illustrator Shoo Raynor which tied in very nicely to the first session I was booked to take part in – Sustaining a Creative Career.

I kid myself that writing about trains and editing a modelmaking magazine means my “career” (this makes it sound like I planned it and didn’t just luck out) can be described as creative. I guess that is because you can’t really call it “useful” in the same way doctors, policemen, firemen, farmers, workers making Tunnocks teacakes etc. are.

As writers, or at least aspiring writers, the challenge is to earn enough money by your trade to survive. Years ago, you’d do this by sending your latest manuscript to your publisher and they would send back a big pile of cash. Sadly, as Shoo explained in his speech, since the demise of the net book agreement, this doesn’t really work. You might get some money, but by the time everyone else has taken their cut, you’ll be reduced to the own brand beans aisle of Tesco for tea.

No, the modern author, or creative, has to have a number of strings to their bow.

Those taking the session I attended wrote, taught, mentored, ran sessions for other writers and any number of related jobs to make ends meet. This isn’t seen as such a bad thing – it provides a variety of experiences which can build the writers experience, feeding back into the work. If you reside in an ivory tower, can you write anything other than how it feels to be in splendid isolation? Rapunzel has been written and it pretty much covers all the tower-based hero genre.

Shoo is the sort of proper, published writer that we all aspire to be, but his output goes beyond traditionally published books into self-publishing and using YouTube tutorials to provide another income stream. It’s fascinating stuff, and I strongly suggest that you sit back and enjoy his half-hour long speech.  Ignore the slightly odd camera viewpoint, but remember that he recorded and posted this on-line himself. Another of those tasks that writers have to find time to become skilled in.

Turns out, being a writer isn’t just about writing.

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